Wednesday, April 15, 2009

Times They Are Changing...

Yes, that's right. My final project changed dramatically between the proposal and the draft.

For those who've been nuts enough to read my drivel, I was originally going to write about the simultaneity of silence and voice exhibited by Avery. (I even had an awesome title: Explosive Silence!" Yeah, don't you just love it!) The intent was to offer an alternative reading to the only two scholarly works I could find that specifically addressed Williams' narrative. However, as I began to compile and read my sources, I found few that seemed to directly touch upon my selected idea. I was, frankly, extremely frustrated with this to the point that I was convinced I'd have to make something up; but then, fear got the better of me and I kept on pulling out source after source. I tried a variety of approaches: Law and Patriarchy vs. Women; Women against a Patriarchial Voice; Patriarchy's Voice and Violence against Women... None of these bore any fruit.

So, I backed up and went back to Caldwell and DeWaard late last week (after my presentation) and considered their sentimental take again. I juxtaposed this beside the Kasserman book, Fall River Outrage: Life, Murder, and Justice in Early Industrial New England, and noticed something: While there's very little on Avery, there's quite a bit on Cornell as a woman stuck within two faults: one that clings to traditional values and another in Fall River itself that is moving in a new direction. I went back and looked at Williams' text and realized that she herself was struggling with how to represent Fall River's status as an industrial town; in particular, to what degree was Fall River itself culpable in Cornell's death.

So, I went back and considered texts that evaluated conduct rhetoric, female chastity (or lack thereof) and found that if one anthropomorphized Fall River, Williams treats it on one hand as a wronged husband (similarly to how the male relations of female victims regarded rapists) and, on the other, as the seducer. Avery, then, becomes a shadow of his former self.

While I won't go as far as to say that I'm pleased with the results, I was pleased that I found enough material in the book and beyond it to write something that I actually got excited about writing. The current draft is far from polished and I know that I want to add more to it, but not the point that the overall effect will be lost.

Guess I'll find out when someone reviews it...